Audio-visual presentations are available and can be adapted to suit the needs of Seminars, Clubs, Colleges and the School Classroom.

Presentations last approx. 60 minutes and combine
narration, images and music.

Contact Paul for more information and availability/prices

Review of a presentation to Friends of
Pitt Rivers Museum, Oxford

"Believing that the better the photograph, the fewer
the words required to illuminate a subject, Paul Harris
dazzled a capacity audience with colour slides of
astounding impact.

His photographs showed that he has the rare quality
of successfully combining the reportage genre with
aesthetic style. Brilliant colour and form from Tribal
tattoed faces, ritual flower garlands, Jaipur's Palace
of the Winds and everywhere 'the smell of India' . . .

Paul drew back the curtain of the obvious to reveal
detail of this rich culture."

Current Audio Visual presentations

No current presentations planned

"In the Spirit of Pablo Neruda"

Inspired by the visual themes inherent in the work of Pablo Neruda, we travel through the heart of Southern Chile . . . . .

"Traces of Silk"

This Expedition secured permits from the highest levels of the Indian Government to enter the 'closed' Eastern Karakoram mountains of Ladakh . . . . .

"Vietnam - The Dragon Awakes"

Free from travel permits and trade embargoes this region of Indochina reveals a land of exquisite beauty . . . . .

"Herders on the Edge"

Between The Sea of Okhotsk and The Bering Sea, Kamchatka lies on the extreme shores of Russia's far east . . . . .

"India - Tribal Frontiers"

When the Dalai Lama was forced to flee Tibet in 1959, he made his gruelling journey into India through its wild North East Frontier . . . . .

"Caravan to Arakao"

Travelling on foot, by camel and four-wheeldrive, we visit the heart of Western Sahara - the Tuareg nation of Niger . . . . .

"Crossing Cultures: The Travel Photographer's Journey

This presentation draws on the experiences of a working photographer in the field, his inspirations, attention to detail, highs & lows . . . . .